August 23, 2008
A word processor I want
Typewriters were terrible tools for writing drafts if only because they had no facility for crossing sections out. At least with a pen, you could make a quick line through an entire paragraph that failed.
Word processors still act as if we know what we’re writing. Oh, they’re obviously much better than typewriters, for which I have zero nostalgia. (“Ah, remember the month I spent locked in my room, typing the final draft of my dissertation? Sweet!”) Word processors let you swiftly delete failed paragraphs, let you undo mistakes and re-do mistaken mistakes, and awkwardly track revisions. But they’re not designed for writing when you’re unsure of what you’re writing.
When you’re writing something hard, you probably work the way you do with a music composition system. You try out some notes. You play them back. You make a change. You shave and fit the pieces together. The same when you’re writing words. You try out a phrase, a sentence, a transition, a motif. You see how that affects the words around it. You make a change elsewhere, and now you have to hear how it presses on the ideas, words, and rhythms around it.
Word processors don’t recognize that way of working. They treat drafts as continuous improvements, not as tentative attempts. They don’t let you toggle quickly between two versions of a paragraph, side by side or back and forth, so you can see how each works, the way you might weigh two photographs to see which one you want to keep.
I don’t have a set of features I want. I’m just saying that word processors don’t work the way we write.