The LA Times has run an article, by David Streitfeld, about Lawrence Lessig and his crusade for reasonable copyright laws. Great reading. And, as Doc has pointed out, this is published right in the heart of the Copyright Cops, the Rustlers on the Commons, the Vandals of Fair Use, i.e., Hollywood.

Among the good points: Lessig uses Walt Disney as his poster boy since Disney himself took advantage of stories that had passed into the public domain as the basis for his early cartoon successes. And, Lessig tells about Sony’s lawyers informing an owner of an Aibo robotic dog that he is not permitted to reprogram it to dance to jazz.

Then there’s this bit of insight:

Studying under the long shadow of Ludwig Wittgenstein, the dark prince of Cambridge philosophers, Lessig learned that the way to influence a seemingly intractable debate was by reframing it, getting both sides to confront something they hadn’t seen before. It’s a technique that has served him well in the Eldred case. =

Most unexpected fact: “Lessig was a professional singer as a child…”

Categories: Uncategorized dw